Left Angle Cross of Masks
13/7 | 43/23
›Description
We started off with the Cross of the Sphinx - what happened yesterday, what happened last month, and this direction you can take based on recognizing what happened to you in the past. Then we get to the fixed aspect - you've got the same intake, the same empathetic field is at work, but it is very different. There is no need in that sense in their purpose (remember your incarnation cross is your purpose) in bringing it out when you come to this fixed aspect.
But when you get to the left angle you get to transpersonal karma. When you get to transpersonal karma, what you get to is a physical, structured programmed obligation (it's an obligation) to integrate with the other and to get that information across to them. The way that you get that information across, we start with the 139 and the 79 - the 13° is the Savior and the 7 is the General. This is the General Savior that is a freak, who is going to blurt out his mutation. The way that they are going to do that is that they are going to hide behind a façade, and there is no morality associated with hiding behind a façade. They have no choice.
Their life is about masks; they need those masks. The reason that they need those masks is that these beings are always under pressure from all of those people that are connected to them karmatically to deliver the goods. And the goods are - what's the direction. They are still carrying the 13 and the 7. They are still carrying collective direction out of the G center as part of their cross. Because it is going to be, particularly in the 5th line, a deep projection field, where other people are going to be saying - "look, we expect you to give us a direction." These are not the kind of people who give you the direction in the supermarket. They're not right angle. The left angle has to recognize what the other wants from them or gets from them. Oh, it is very different.
What you find with the Left Angle Cross of the Masks is that you need to have initials after your name or costumes. If you are going to be tarot card readers, dress like a 17th Century mannequin. You have to have your costume, whether that costume is psychic or whether that costume is covering your personality. Whatever it is, these people get inside of those costumes and then they get to play out that role.
Now one of the things to understand about the juxtaposition, and the left angle, and the right angle of this cross is that they are all carrying individuality. The program begins with melancholy. Otherwise, you wouldn't enjoy the music. Well that's what it is all about after all - this is just orchestration here. It starts with melancholy, because melancholy is the muse. You see mind begins with sadness. Mind begins with melancholy and the anxiety that the sadness will never be resolved, and it is out of that that comes the glory of what we have accomplished on the mental plane.
But the reality is that these are crosses that are filled with melancholy. Chemistry is one of the things that human beings really don't grasp, because they take everything personally. You take your life personally, you take your cross personally, and you take all this stuff personally, so you take your chemistry personally. So when your chemistry changes, you think it is personal and therefore you postulate out of this that something is wrong. There is a reason. If you have individuality defined in your design, don't make up a reason for why you're melancholic, as all you are doing is killing the muse - you're killing the muse and replacing it with depression. These are crosses that start the Quarter of Initiation - they start with melancholy. It all starts with sadness and with art. It starts with music.
It starts with love, because individuality is at the core of what love is. It is the search for perfect love, for the ultimate love, cosmic love, selflove, and union with the other through love and romance. All of that is at the very beginning. It is the starting place, and the starting place is the right angle with the 13 saying, "Was there love back there? Did I get any? Or will I get any?" By the time you get to the juxtaposition cross, they are just listening for it; "It's out there somewhere." They are the ones that are listening to love sounds at night. No lover, just a teddy bear, but the love songs are great.
They've got the radio on to some schmaltzy station somewhere. Then finally you get to the left angle, and the left angle says, "I'll put on my mask and I'll tell you exactly what you need to know, because if I don't tell you exactly what you need to know, I can't survive in this life. So I'm going to tell you all about it, but I'm going to tell you all about it based on my sadness."
It is one thing to be able to describe the mechanics of how these crosses actually work, but it is another to recognize that the people that are carrying all of this aren't awake. They are really deeply messed up, and living the notself. They don't know what the hell is going on and certainly are not tuned to their process. This is why the greatest dilemma on the planet is that nobody knows their purpose. If you're living the not-self, you're not going to get there anyway.
At this very beginning of initiation, this very beginning process, most of the time all is mired and bogged down by the deep depression that these people actually live out. Think about what that is like to live out the phenomena of looking back, seeing what you don't like, and not knowing what to do with it. They don't know why they are seeing it, and end up being pessimistic about everything.